ltd 1 per customer - as one of chicago s most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90s, prolifically releasing over 200 tracks from 1994 to 1999, spencer s music had shades innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared from view. gemini s unique combination of chicago groove, detroit strings and spacey effects have rightly ensured on the north star as a sought after classic of the era. the ep was the second of gemini s two 12- for peacefrog which was closely followed by his peacefrog long-player in and out of fog and lights (re-press coming soon). lush transcending deep house for the conersiour.

it is almost summertime and endless welcomes the brazilian analogue wizard zopelar. >origini< is a cinematic techno track which is the result of a full analog jam, his obsession with vintage synths and drum machines. the track opened most of last live years shows. zopelar is also writing and producing various forms of propulsive pop, running the excellent >in their feeling< label founded in 2015 together with his good friend davis, as well as performing in clubs and festival with his live techno project. on the remix a man who doesnt need introductions: ripperton, the finest swiss dj and producer, delivering two superb and outstanding remixes! from immersive dark techno to refined house, ripperton adds a fresh alternative sense of introspection to >origini<. we were simply delighted from the very first listen! enjoy!

dont sleep on this! two of the most talked about edits currently played by the martinez brothers, seth troxler and lots more.

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

boney m. waren die definitive supergroup der disco-Ära. mit ihrem frischen pop-sound und ihrer sexy-show gelangen ihnen seit ihrem ersten top-hit »daddy cool« aus dem jahr 1975 außerordentliche erfolge am laufenden band. bis heute wurden von den schallplatten der formation mehr als 50 millionen singles und über 60 millionen alben verkauft. mehr als 800 silber-, gold- und platin-auszeichnungen stehen heute im trophäenzimmer von frank farian, dem mit seiner opulenten mixtur aus karibischen klängen, heißen disco beats und black music-elementen das erfolgreichste deutsche musikkonzept der 70er und frühen 80er jahre gelungen ist.
für die 2017 vinyl re-editionen der lps wurde die vorder- und rückseite des original artworks sowie das original tracklisting der lp aus dem jahr 1984 verwendet. für die bestmögliche klangqualität bekam die re-edition ein high-resolution re-mastering von der original-master-quelle spendiert. mm sound wurde, wie damals für das original, für das mastering verpflichtet.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

on the a side - fresh aus das legalize lambada vaterland, the ex-yu! we bring you two white magic truffles one a jazz-funk original number courtesy of anelidi and the other a bangin-disco-stomper edited by lule. for the b side 2 more precious black truffles, dug out by our wild boars on their recent trips to the motherland - africa. our main man mikeburns delivers a mental-afro-hand-raiser while albion caters a deep-teeth-clencher. recognize and legalize!

since its release last year, the grammy nominated album louie vega starring…xxviii has reached unfathomable heights, after 8 single vinyl releases and two full triple set album releases, we still have one more up our sleeve. today, here we are in the third and final installment of the louie vega starring…xxviii vinyl album release series, this time taking it to another level with unreleased and lost mixes. when making an album there are usually way more than the number of songs allocated for the project. in this case there were over 50 songs and tracks created for the louie vega starring…xxviii album. vega has selected 14 unreleased and lost tracks from the recordings and put together dj friendly versions with these super talented artists involved: funkadelic, nick monaco & soul clap, kenny bobien, cindy mizelle, maphorisa, berita, wanda baloyi & kabomo (south african top talent), roberto roena (of the fania all stars), brutha basil, jesse jackson (blues rock artist), sara devine, luis salinas (argentinean guitarist), duane harden (song/hitmaker), & 3 winans brothers featuring the clark sisters. the packaging is lovely with an open gatefold huge picture of a mural painted by none other than richard wilson uk artist. mastering by the great walter coelho, for sonic perfection & pressing manufactured by optimal in germany.

after turning heads with their first two releases brisbanes radio show come record label beats of no nation (bonn) is here with release number three. the hollywood ep comes from bonn co-founder jad lee aka jad &the(fka jad & the ladyboy). off the back of recent 2017 releases on labels sonar kollektiv, 2mr, and axe on wax jad brings it home to beats of no nation with the hollywood ep which takes its name from the obscure samples jad pulled from a bundle of dusty vhs movie tapes. londoner deejay astral provides a remix of the a1 theatrical trailer and he masterfully takes the bass line from the original and makes the remix into something his own.

mind fair return with a deadly two-part interpretation of the joe jackson classic steppin out. for their latest rogue cat sounds incarnation the golf channel mainstays have enlisted the indispensable talents of charmaine baines on vocals, climax blues bands derek holt (bass &guitar) and alex bradbury (sundown drive) on keys. this slowed down, melting pot of soca not soca meets lovers rock, reggae, blues and soul is brought to you in two parts part one deals mostly with the song, charmaine s vocals sounding suitably dreamy and laid back whilst part two puts focus on the instrumental groove where the guitars, strings and rhodes are the main attraction. mark e provides one of his merc dubs on the flip which takes a afro rhythm meets beat down central then builds intensively with rhodes and a horn section breakdown to die for the man is on form! essential music to step out to this summer for sure!

nice price deal !!! having put out releases to mini acclaim on esteemed labels such as dfa, dissident distribution, astro lab, their own the walls have ears imprint, cage & aviary are now set to spread their wings with a brand new spanking release for tiny sticks and its a winner in every way! two very individualistic tracks that ooze charm & personality. on the flip nycs brennan green runs with the acid theme in the original and turns in a pure analogue master class. amazing! dj support from: james murphy, joe hot chip, mark e, cosmo vitelli, roy dank, inflagranti, toby tobias, lexx, azari & iii, peoples popular front, etc etc...

back to black, 180gr vinyl - reissue
incl download voucher

2017: the camo & krooked takeover continues to permeate every corner of the electronic music landscape as they take their unique sound to uncharted pastures. two successful singles, one high profile remix of noisia, one essential mix and a non-stop world tour into 2017, the austrian music-producer a-listers now present the most critical releases of their career...
after three long years of the deepest studio craft they’ve ever committed to, camo (reini) & krooked (markus) have delivered their most unifying, high profile vocal track like i do with fellow vienna artist and runaway songwriter sensation james hersey. then, on june 23, they will finally unveil their most startling, detailed and singular body of work yet - mosaik.
their fourth album since emerging in 2007, mosaik is a pivotal document that elevates camo & krooked’s creative credentials, vision and technique to brave new levels. the result of years of studio hibernation, studying vintage analogue instruments, honing their instantly distinctive signature, songwriting skills and, in markus’ case, even finding their own singing voice, mosaik galvanizes the duo’s position as one of the most exciting, unique, innovative and in-demand acts in electronic music.

nice price deal !!! likhan swings himself away from the dubtech sound with two deep house inspired jaunts. while theres traces of his former sound, both tracks operate on a house tempo with melodic organ motifs and laidback percussion more inspired by the prescription catalogue or dj gregory than anything in the modern dubste quarters. however, its not all nice, keeping some semblance of dirt under the fingernails with rude squelching bottom end and ruffed-up soca shuffles compatible with the post-step, funky brigade

valioso016 - “koi fish ep” comes along with the two heidelberg talents jan golly (be9) and durrred (the gathering). the ep includes two trippy and straight minimal tracks. first track “koi fish” can be played within a peak time set, while “quotes” fits more to an after hour environment. both tracks will be completed by a virtous and flowing remix of romanian dj & producer cristi cons.

fur coat launch new label oddity which aims to showcase a darker, more tripped out techno sound. the first release kicks off with their genesis ep, which features two original tracks and a remix by scottish techno veterans slam. the venezuelan duo of sergio munoz and israel sunshine have released on labels like watergate, crosstown rebels, bpitch control and balance. the genesis eps artwork comes courtesy of barcelona based, colombian born artists lina bassiouny and maria paula quiva.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

one of the current techno scene’s ‘hidden treasures’, bristol based a sagittariun has discretely released a wide breadth of music over the last five years for labels like secretsundaze, hypercolour and his own elastic dreams label. two highly acclaimed albums in “dream ritual” and “elasticity” as well as fifteen eps have appealed to those who like their techno without frontiers, taking in blistering 140bpm techno, breakbeat idm and ambient dub with ease. his second release for hypercolour displays signs of crossover appeal at long last… lead track “vanishing point” has already been receiving early plays from the likes of laurent garnier (dropping it in his recent timewarp germany set), spencer parker and len faki. big pumping beats and spiralling fx fall aside to a lone breakbeat that ushers in one pretty special breakdown section. the childlike keys and fathoms deep synth stabs (straight out of the john carpenter school of fathoms deep synth stabs) have already drawn comparisons to the retro 80s vibes to be heard on the american sci-fi horror series stranger things. it’s a breakdown that takes the listener to an uncharted dimension, bookended by slammin’ beats that acts as a perfect mood changer in any set. watch this one soar! “the pathway” keeps things on an all together straighter tip, an incessant tribal loop weaves and filters around a thunderous kick and shuffling hats, ebbing and flowing all the way in what might be a sagittariun’s most club-centric and stripped back production yet. matrixxman (dekmantel/spectral sound) is on hold to deliver a superb remix, pushing the original down a long dark tunnel for a growling and reverberating techno overhaul

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

gidge is a production duo consisting of jonatan nilsson and ludvig stolterman. based in the northern parts of sweden, gidge quickly built a solid fan base with releases of their albums autumn bells, lnlnn and lulin. the music of gidge seems to affect their audience in an emotional way, which eventually resulted in the duo taking the top spot as best new artist at xlr8rs readers poll, as well as having the 3lps ending up on numerous end of year lists. their main source of inspiration is the vast, snow-covered woodlands of the north. gidge have for instance recorded all of their percussions in the forest, using only the sticks and rocks that can be found there. for seoul though came about after the duo went on a trip through asia, and spent a number of days in the south korean capital. they fell in love with seoul, and later on created this two-part hymn for the giant city. applescal created a remix for the track, which you can listen on the b side.

nice price deal !!! arctic hospital & freunde sind für jeden spass zu haben. von deepem techhouse bis zu sub-bass techno !!

nice price deal !!! after the first three successful releases, krakatoa is ready to burn dancefloors with this two track ep. >star song< is a powerful old school influenced tune with a strong vocal, perfect for the summer. >t m base< is a dancefloor smasher, it runs super funky on the bassline and fresh on the beat. donÆt miss it!

with adryiano and kastil on production duties for their løskøber alias (which first emerged through soul notes in 2013) the 15th saft release has some serious sounds on it. apart from the two originals this time around the label has acquired remixes from the likes of keita sano and berlin based australian andy hart.

afrocentrist philou makes his debut on basic fingers with a trio of deep-seeded treats comprising one original and two game-changing edits. this homage to the senegal/mali mountain region softly ignites with the cosmic yearns and mild acid grounding of lumumba s revenge. it sets the scene for two takes on regional traditions tartits tribe adds a driving afrobeat and hypnotic swing to an ancient tombouctou desert song while fadimata s dibabba is a dense and inebriating weave of senegalese instruments and chants

3lp with download card included.
dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesn’t disappoint.

presenting he/at for his debut ep on prodigal son with two original tracks and two remixes by inland.

the historical power electronic founders duo remixed by two of the infamous artists of this new industrial/noise scene. parrish smith, also know as sige bythos and volition immanent, already appeared on labels as nation, contort yourself and knekelhuis, made a smashing track, slow and heavy, distorted and electrically powered. black seed, already appeared on dtls snd and sign bit zero signed a syncopated track, with tribal influences and bouncing sounds that will turn your brain into a whirpool.

emlock founder untold is back on the label with his first vinyl ep since ‘doff’ on sub-label hblk back in 2015. this release follows appearances on last year’s #savefabric compilation, and more recently on ‘magic city iii’ compiled by mixpak boss jubilee. hek029 follows a rewarding period of a&r for hemlock that has so far delivered eps from bruce and parris, with several more scheduled to drop throughout 2017. ep’s two winding tracks are a natural progression from the fiercely textural drum work of untold’s previous singles and album ‘black light spiral.’ here the material is given more space to breathe and released from the grid creating a lighter more footloose feel. ‘tear up the club’ carries the weight of dmz era half-step using a loose web of elasticated breaks and builds to reveal a striking melodic line. on ‘watton res’ exotic tones are further compressed and expanded in sequence, encasing drum machine, keyboards and guitar work within a delicate shell.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

bringing his signature sound to crosstown rebels, delightfully unconventional producer sis delivers his third release on the label, the blind side. hot on the heels of his boabab album on mobilee, rodriguez jr. delivers a stunning remix on the b-side. the blind side is set to soundtrack the summer, an incredibly infectious track with its exotic and intricate drum workouts and alluring vocal cuts. on the flip, rodriguez jr. brings in deep pads, uplifting melodic keys and a storming piano lines for a whole new take on the original. taking his artistic enthusiasm from his turkish father, sis grew up in berlin surrounded by music. following a series of releases on nick curly’s cecille, ricardo villalobos who loved his track trompeta so much that he released it on his boutique label picked up the german producer sei es drum in 2008. his success of trompeta led to an avalanche of recognition, groove magazine and ‘newcomer of the year’ by raveline mag named him both ‘producer of the year’. in 2011 sis launched his own label cocolino where he released his debut three-part album dejame. olivier mateu aka rodriguez jr. grew up in the south of france and moved to paris as a young adult and soon formed the electro group the youngsters. signed by laurent garnier to f communications, the duo released two albums and a string of successful singles. focusing on a different alias, rodriguez jr. gave olivier the freedom to run with his creativity, which can be seen in his acclaimed live shows.

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

r.o.s.h. returns with two anthemic uk-leaning 4/4 productions. following last year’s debut release on bristol’s drumz for eternity label, herts based r.o.s.h. broadens his release schedule via two tracks that establish a common thread of unique top end melodies coupled with swinging, uk funky indebted percussion and pure peak time atmospherics. ‘winona’s love (stranger things mix)’ launches with an audacious mixture of circling john carpenter synths and rolling ’09 era uk funky percussion coming across as one part london legend apple to two parts prime eighties repo man. honed berlin kick drums and low swung bass hits combine to create a constantly driving concoction of ceiling banging techno all tied together with the distinctive infectious synth work that’s fast becoming a r.o.s.h. staple. creating a fully fledged dance floor homage to netflix s most popular sleep competitor is the young producer’s raison d’etre across this release. ‘amg (a45 mix)’ goes in for the kill with rattling percussive stabs and tweaked woodblock snares winding up the drama before the rumbling techno breakout at the one minute mark. it s a return to the rude form of uk funky s heyday, with colossal amounts of sub and every element driven to a singular purpose, to move bodies in the dance.

the 04am a-side contains two south-african 80 s bubblegum tracks, revamped by young dj and producer perdu. he provided the tracks with delicate intros and rearranged them with new percussion, synths and deeper basslines. on the flip afrobot delivers two kind of new beat cuts, making the originals more abstract by some heavy chopping, reducing the amount of samples used, and adding disco breaks to the track jungle. handstamped with another drawing by frank koedood.

two tony cook productions - originally released on the go-bin label - available through ppu!

frigio records is going back in time for its latest release, some 38 years into the past. back then a young newcastle man was experimenting with early electronic instruments and synths. mick clarke is his name and nearly forty years later he is still at it. two tracks have been borrowed from clarke s seminal games lp, each given a bit of modern boot polish from minimalrome s heinrich dressel and frigio father juanpablo.

-walls of the night- is a blissed out work of ambient prog rock abstraction. think rumbling horror score and soaring guitar strings. heinrich dressel offers a giallo dipped remix. the building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. the flip is introduced by the dreamy -time is now.- slender synthlines intertwine with gentle strings in a cerebral work. juanpablo tweaks the 1979 material. syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80’s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

limited edition of 500 copies on one-sided, red coloured 10 inch vinyl.
calypso! calypso! two rare high-speed calypso instrumentals from the vault of miss pottinger, including a wicked cut of 1928 cuban jazz classic el manisero aka peanut vendor. it’s jump up time when baba brooks plays ska-lip-so!

this summer sees the joining together of two of the most loved institutions in drum & bass as bryan gee s pioneering v recordings imprint links with one the most loved and respected annual events in the d&b calendar, sunandbass. however this collaboration goes further than just these two - if you add certified d&b legend dj patife into the mix, add a collection of some of the most exciting brazilian producers into the mix (and a couple of special guests!) and you have one of the mostly hotly anticipated compilations of the year dj patife presents viva brazil sunandbass sessions. to kick things off sun&bass present a four track collection to wet your appetite the vibe is coming , available on 2x12inch vinyl this ep sets the tone with brand new music from dj patife, david ws & mc fats, alibi, command strange and simplification & translate. as you d expect this sampler is packed full of sunshine, liquid vibes the perfect meeting of sao paulo & sardinia. the vibe is coming, make sure you catch it!

bakk extends it s mind-altering quest with plafond 2 with two tracks averaging 17 minutes. from antwerp s depths milan w. brings a stunning track (consisting of three parts) of ambient exotica. the flipside carries synth wizzard ekolali, who resides on a barn in sweden, with a rhythmic jam to sink into. comes again in a special screen printed outer sleeve and tasteful obi strip made by the bakk deep dream department.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

swayzak returns with gestures of a sycophant. after a back catalogue of severely epic proportions (the seminal album snowboarding in argentina for example), a legendary fabric residency & mix cd, and a relationship with tresor that spawned epic gigs and an lp, not to have released a record since 2012 is nothing short of criminal. 2017 then sees beatnik boulevard deliver two long overdue tracks of those big room stylings that has become synonymous with the name swayzak . even as you succumb to the bass pressure, the oceans of detail and programming flourishes that only come with decades spent in those worldwide techno bunkers bring to mind the pedigree of this release. it was once declared that swayzak is a techno dinosaur - looking back that seems a justified moniker to go with the guttural, brobdingnagian sounds of these compositions. slow moving though the spawning may have been, the monster has once again awakened.

label founder and conventionally good looking producer nicky soft touch launches foot long fun plates. collecting together a bunch of music songs 4 music people, flfp001 sees your boy nicky apply his namesake’s soft touch to some shuffling, two-steppin beats and choice sampling with an extra added layer of summer cool. big rig, small drink, sunset rooftop vibes right here.

after building their reputation as a force for positivity in the berlin dance scene, berlin bass collective have looked amongst their ranks to find two producers with the talent to reflect their tried and tested ethos which has been setting dance floors alight across berlin and the uk. built from a palette consisting of raw, low-fidelity found sound, obscure disco reworking and original bass lines these tracks are built to function as well underneath the mirrorball of a packed dance floor as they are kicking back at a friend’s house party.
on the a, brian ring draws on his immense knowledge of the disco and soul roots of house music. channeling the spirit of his night time dalliances as a resident of both the disco kiez and house of love parties in berlin, brian’s productions embody the philosophy that good music is music that gets people moving.
on the flip, bridge guy takes us into super chill with a collection of organic, lo-fi tracks that loop beautiful disco bass lines and vocals so sultry you will feel like you’re floating.

dj rocca & hard ton on the magic number 12. a homage to the get down. jack & boogie - you ve got the choice, to sweat and wet in new york - chicago - berlin - soho or wherever it is, you re with the spirit of fnm guiding you to shake the fl oor like it s hotmix 5. with two mains on the supersound 12- vinyl, the whole ep comes along with 4 more tracks and mixes to download. including -will you be mine- together with the enzo elia house classic remix. including 2 more bonus remixes by fnm and sabatini written and produced by luca roccatagliati, mauro copeta, massimo bastasi. mixed by luca roccatagliati at marslife studio, reggio emilia, italy hotmix 5 tribute dub by fnm (filippo naughty moscatello) mixed at blackhead studios, berlin. mastering and cut: by mike grinser, manmade mastering, berlin executive production marion & alberto sabatini & handle with care, berlin

nice price deal !!! nach dem release ihres meisterwerks >its all true< im juni 2011 und der 12 inch auskopplung des darauf enthaltenen hits >banana ripple< veröffentlicht domino jetzt am 23.09.2011 eine weitere 12 inch mit zwei neuen, clubbigen versionen der single. die a-seite schmückt ein leichter, eingängiger acid house-mässiger remix von two bears (raf daddy & joe goddard von hot chip), auf der b-seite findet ihr einen verkopften, deepen edit von stay+ (aka christian aids). klasse!

nice price deal !!! known in a previous life as alex romano he now returns under his new alias widyck to his old love ... disco! two tracks which will lead you through the era of disco and italo ... if you know your classics ,-)

nice price deal !!! transport recordings is proud to present its brand new limited edition release, monita fea, courtesy of swiss italian producer dario d’,attis. dario who has had releases on purple and map dance delivers two summer dance floor winners, blending deep dark tracky elements spiced with tasty latin guitar licks. this package includes dario’,s original club and julius papp’,s neo disco mix.

since 2007, ulterior motive have been providing devastating future dance floor funk for the most discerning of drum and bass lovers. since releasing their debut album and a tranche of singles on seminal label metalheadz, 2017 now sees them finally launch their own imprint guidance. guidance: initially starting life in 2007 as an event, guidance has gone full circle and will now be the label and home for their music. it promises to be a name that stands for the aesthetic the duo have become infamous for, beautifully and intricately crafted music and sound that can shake any venue to it’s very foundations. guidance 001 showcases four powerful yet also varied tracks from the pair. they join forces with one of the best to ever host, sp:mc, on ‘the wobbler’, and also team up with production wizard icicle on ‘anode’. two more solo tracks from the pair in the form of ‘clap ya’ and ‘kamakura’ wrap up an exquisite first release that highlights the pair’s formidable intentions for the future. support from: dbridge, skeptical, xtrah, dlr, ant tc1, jubei, friction, icicle & rockwell.